Samba
Requiem of night;
Shadow puppet boys
And harlequin girls
In their half-buttoned nightgowns dance,
Twist and turn for requiem;
Dracula’s orphan children
They suck the life of the ghetto through clenched teeth
That sip from a straw of flawed education and BET.
The daughters wear pigtails of fire and ice
For proper projection of their nature
And Harlem’s sweet nocturne
Is the lullaby of naught for their moonlit slumber
The boys stomp in adamantium boots
And take on lycanthropic forms to howl at the night
Their cries awake the girls from slumber
And together they lament the siblings they’ve lost to the struggle:
The lost boys of a neverland
Of broken bottles and crack pipe dreams,
Broken homes and low self esteem.
Denied a childhood they forever remain immature like children;
Living under the colander sky, upturned they sift into space
Mysterious, they perennially turn to the game as their only saving grace,
Cold and alone they are mired in this world
Which judges based on gender and race
The sweet whisper of a shadow brother and one of the pig-tailed girls is pregnant
A choice of aborted souls or rejected dreams
Their existence is one of living far beyond their means
Listen to the squeals that pierce the silence of nocturne
As they cough up the soot that coats them in-and-out black
They are forced to walk the red hot coals of judgmental culture
Finding themselves preyed upon by vultures of advertising for menthols and malt liquor
It’s not hard to see why these children, born into night, fall into darkness ever
quicker,
When prison cells and pine-cedar walls are the vessels that carry their future
Obfuscating the overture of what would have been their god given nature
In the face of such adversity the medley of boy-girl silhouettes exists fervent and deep
Hidden words shake governmental repose
Under veil of shadow they sleep
Look at the inner city, violent and bright
Listen all-seers to the children of night
Sharing their secrets to the moon, in fight they howl
In unison they hunt
Because alone they fear fighting to escape the pull of the ghetto;
As individuals they cannot sand up to this requiem of life
Stand up my orphans
The moon is full and is more than a broken headlight to illuminate the road ahead
More than the slashed tires of a vehicle the man drained of gas
Going in ever smaller circles
As much as they may gave no future,
These young ones have already had their past stolen from them
There is no light at the end of the tunnel
Because the tunnel ends now and we stand in twilight
From here on out we await the coming of night
Shadow puppet boys
And harlequin girls
Dance to the samba of dejection
© 2008 Eugene Aarons-Cooke